Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.704131
Title: Catholicism in Italian cinema in the age of 'the new secularisation' (1958-1978)
Author: Angeli, Silvia
ISNI:       0000 0004 6056 5572
Awarding Body: University of Westminster
Current Institution: University of Westminster
Date of Award: 2017
Availability of Full Text:
Access from EThOS:
Access from Institution:
Abstract:
This thesis explores the portrayal of Italian Catholicism in five feature films: E venne un uomo (A Man Named John, dir. Ermanno Olmi, 1965), Galileo (1968, dir. Liliana Cavani), Teorema (Theorem, 1968, dir. Pier Paolo Pasolini), Nel nome del padre (In the Name of the Father, 1972, dir. Marco Bellocchio) and Fratello sole, sorella luna (Brother Sun, Sister Moon, 1972, dir. Franco Zeffirelli). Challenging the notion of Italian Catholicism as a monolithic and unified system of thought, this investigation brings out its fragmented quality, thereby validating Antonio Gramsci’s claim of the coexistence of a plurality of religious tendencies in the country. The study focuses on a twenty-year period between 1958 and 1978, as it is during this period—referred to as “the new secularisation”—that the fragmentation underlying Italian Catholicism emerged with clarity. Within this context, the five chosen films offer ideal case studies to assess the plurality of attitudes towards Catholicism in that period: not only do they employ a large repertoire of narratives, persons, symbols, iconography, quotes, rituals and places of Catholic tradition, but they also reimagine this repertoire in either orthodox or provocative ways, effectively upholding or critiquing Catholicism as a belief system, Catholicism as practiced by the faithful and the Catholic Church as an institution. Analysis of the films is organised across the four areas suggested by Melanie J. Wright, namely narrative, style, cultural and religious context, and reception, with a focus on reception amongst Catholics. Analysis of these elements uncovers the five directors’ personal and unique approaches to religion, ultimately attesting not only to the immense cultural and social legacy of Catholicism in the country, but also to the existence of a multiplicity of religious sensitivities.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.704131  DOI: Not available
Share: