Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701336
Title: The sacred music of Antonio Lotti : idiom and influence of a Venetian master
Author: Byram-Wigfield, Benjamin
ISNI:       0000 0004 5991 2389
Awarding Body: Open University
Current Institution: Open University
Date of Award: 2016
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Abstract:
This thesis surveys the surviving manuscript sources of Antonio Lotti’s works to produce a complete catalogue of his extant sacred music. It also collates the known biographical details of Lotti (including proof of his birth in Venice) and those of his wife, Santa Stella. It defines the extent to which Lotti’s compositions can be dated and the extent to which institutions for which they were written can be identified. It documents idiomatic patterns in his compositions, in terms of structure, scoring, rhythmic, melodic and harmonic devices and the reuse of material. Having identified key components of Lotti’s style, it argues that the attribution of some works to Lotti is spurious. The thesis goes on to investigate the shared musical heritage of Lotti’s contemporaries, such as Vivaldi, Biffi and Caldara, and the ways in which their music differs. It also accounts for Lotti’s influence on Handel, Bach, Vivaldi and his own students, such as Galuppi, Saratelli and Alberti. Particularly, it argues that Lotti’s setting of Dixit Dominus in A was the model for Handel’s setting of the same text; it also suggests some influence from Lotti’s works on Bach, principally in his setting of the B minor mass. Above all, this thesis aims to address the dearth of scholarship on this composer, and to provide evidence for his inclusion in the ranks of significant musical figures of his day.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.701336  DOI: Not available
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