Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700464
Title: 'Uprisings do not enter museums' : invoking the 1973 Athens polytechnic uprising : a study of political myths
Author: Iossifidis, Miranda Jeanne Marie
ISNI:       0000 0004 5993 5345
Awarding Body: Goldsmiths, University of London
Current Institution: Goldsmiths College (University of London)
Date of Award: 2016
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Thesis embargoed until 30 Nov 2019
Access from Institution:
Abstract:
This project explores the multiplicity of contemporary invocations of the 1973 Athens Polytechnic uprising as remembrance practices of political myth-making (Bottici, 2007), focusing on the annual commemoration of the uprising in 2012 and 2013. Contextualised within the contemporary ‘crisis,’ this thesis poses the following questions: how and why are images of the Polytechnic uprising invoked and made transmissible in the present through remembrance practices? How are such practices meaningful for people involved in everyday political action? Using mixed ethnographic methods - audio-visual artefacts, pamphlets, interviews, and participant observation - I propose that urban sociologists concerned with political action should be attentive to political myths. I argue that the different spaces and temporalities created through myth-making are tied to different imaginations of political action. I situate these practices in Exarcheia, and explore how this area is produced as an exceptional space of contentious politics. While most scholarship focuses on myths of the nation-state, I disentangle competing dominant and counteractive political myths. I analyse how dominant political myths create a linear homogenous concept of time, and fabricate the Polytechnic as a space of mourning and, sometimes, extremism. I explore the heterogeneous counteractive political myths through the production of counterspaces, examining how participants make artefacts using dialectical images to create distinct temporalities of a ‘contemporary Junta’ and a discontinuous history of tenacious resistance. I show how creating, sharing, and interpreting myths is meaningful for people in terms of political subjectivity and generating affective agency. I argue that these practices can be considered forms of indirect resistance, with the annual commemoration a ‘coming together’ serving as a resource that fortifies people’s capacity to resist. This project hopes to build on the rich interdisciplinary contemporary scholarship on Greek urban political action by taking into account the importance of remembrance practices of political myth-making.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.700464  DOI: Not available
Share: