Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687574
Title: Political music genres in postcolonial Nigeria, 1960-2013
Author: Osiebe, Garhe Victor
ISNI:       0000 0004 5914 5028
Awarding Body: University of Birmingham
Current Institution: University of Birmingham
Date of Award: 2016
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Abstract:
This thesis attempts an intervention in popular music classification. It argues that popular musicians do not only choose the titles to their works, but go further to define the genres of these works. The dynamic at play is such that most popular musicians claim to produce works of different and new genres with each new work they create. By engaging with the works of a selection of Nigerian popular musicians, the thesis demonstrates that the disorderliness in popular music branding can be restricted. Through a critical discourse analysis of the textual elements of the material and of ‘alternative’ audience contributions, the thesis advocates a new genre of popular music, namely the genre of ‘political music’. This distinctive genre is extractable from the otherwise conventional genres of popular music, and is composed of three comprehensible subgenres namely protest political music, unity political music and terrestrial praise political music. The study’s selection is made of popular music material from hip hop, reggae, afro-beat, and juju genres. They are delivered in popular Nigerian languages ranging between Yoruba, Hausa, Igbo, English and Pidgin English.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.687574  DOI: Not available
Keywords: DT Africa ; JA Political science (General) ; M Music ; ML Literature of music
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