Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678019
Title: Emerging contemporary Bharatanatyam choreoscape in Britain : the city, hybridity and technoculture
Author: Banerjee, Suparna
ISNI:       0000 0004 5369 8748
Awarding Body: University of Roehampton
Current Institution: University of Roehampton
Date of Award: 2015
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Abstract:
The thesis investigates how Bharatanatyam dance practice is reconfigured through the specific cultural histories and novel practices of emerging dance artists in Britain. At the outset, I engage with how various dance labels are contested socially and culturally by diverse groups of people. In doing so, I intertwine the discussion with the politics of identity to illuminate how these dance artists negotiate their multiple identities, encompassing the issues related to race, ethnicity, gender and citizenship. Through a situated reading of postmodern and postcolonial praxes, I argue that these dance artists construct a permeating border by continually bringing new elements into their contemporary works, dismantling the purity/hybridity dyad. Additionally, I demonstrate how the theme of the ‘city’ is adopted as a performative device to portray kaleidoscopic patterns of cultural, historical and psychological climates of urban cities. While analysing non-proscenium choreographies, I demonstrate how an assembly of the senses overlap with various architectural places to create a complex web of history, cultural identity and memory to construct a ‘site’, which in turn, opens up rooms for discussing the previously ignored senses, including tactility, gustation and olfaction. Furthermore, I reveal how digital performance as a genre is increasingly celebrated by these dance artists, which decisively has challenged the bodily boundary and influenced the psycho-visual aesthetics of contemporariness. Drawing on interdisciplinary theoretical lenses, my readings of a range of danceworks and a mixed-method approach, I argue that contemporary Bharatanatyam practice is always in a state of flux due to the incessant mobility of people, ideas, cultures, histories and differential artistic subjectivities, and therefore it restricts any closure of meanings. In a nutshell, this thesis offers a new perspective on the disjuncture and reconfiguration of contemporary practice of Bharatanatyam dance in the 21st century British context, provoking new ways of seeing, interpreting and appreciating contemporary performance.
Supervisor: Grau, Andrée ; Meduri, Avanthi ; David, Ann R. Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Thesis
EThOS ID: uk.bl.ethos.678019  DOI: Not available
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