Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.676272
Title: Embodied music : a portfolio of original compositions
Author: Casey, Robert
ISNI:       0000 0004 5372 570X
Awarding Body: Queen's University Belfast
Current Institution: Queen's University Belfast
Date of Award: 2014
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Abstract:
This thesis presents a portfolio of original compositions. The pieces, which comprise both instrumental and electronic forces, examine compositional and theoretical approaches to the embodied structures that underpin music performance. The portfolio includes eight scores, nine original compositions in total. The works are discussed in the context of prevailing theories and practices relating to music and meaning, music and time and music notation. Inconsistencies between theory and practice will be explored and, where one exceeds notional boundaries set by the other, amendments suggested. The common thread that runs throughout this thesis is that our capacity to create, reason about, and notate music is deeply rooted in the body's interactions with the world. Endeavouring to understand the embodied origins. of music will advance the cause of both theorist and practitioner.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.676272  DOI: Not available
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