Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669836
Title: Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve
Author: Langdell, Sebastian James
ISNI:       0000 0003 9975 3821
Awarding Body: University of Oxford
Current Institution: University of Oxford
Date of Award: 2014
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Abstract:
This study considers Thomas Hoccleve’s role, throughout his works, as a “religious” writer: as an individual who engages seriously with the dynamics of heresy and ecclesiastical reform, who contributes to traditions of vernacular devotional writing, and who raises the question of how Christianity manifests on personal as well as political levels – and in environments that are at once London-based, national, and international. The chapters focus, respectively, on the role of reading and moralization in the Series; the language of “vice and virtue” in the Epistle of Cupid; the moral version of Chaucer introduced in the Regiment of Princes; the construction of the Hoccleve persona in the Regiment; and the representation of the Eucharist throughout Hoccleve’s works. One main focus of the study is Hoccleve’s mediating influence in presenting a moral version of Chaucer in his Regiment. This study argues that Hoccleve’s Chaucer is not a pre-established artifact, but rather a Hocclevian invention, and it indicates the transnational literary, political, and religious contexts that align in Hoccleve’s presentation of his poetic predecessor. Rather than posit the Hoccleve-Chaucer relationship as one of Oedipal anxiety, as other critics have done, this study indicates the way in which Hoccleve’s Chaucer evolves in response to poetic anxiety not towards Chaucer himself, but rather towards an increasingly restrictive intellectual and ecclesiastical climate. This thesis contributes to the recently revitalized critical dialogue surrounding the role and function of fifteenth-century English literature, and the effect on poetry of heresy, the church’s response to heresy, and ecclesiastical reform both in England and in Europe. It also advances critical narratives regarding Hoccleve’s response to contemporary French poetry; the role of confession, sacramental discourse, and devotional images in Hoccleve’s work; and Hoccleve’s impact on literary tradition.
Supervisor: Gillespie, Vincent Sponsor: Clarendon Fund
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.669836  DOI: Not available
Keywords: English Language and Literature ; History of art and visual culture ; Christianity and Christian spirituality ; Church history ; Medieval philosophy ; Literatures of Romance languages ; History of Britain and Europe ; Late antiquity and the Middle Ages ; Geoffrey Chaucer ; William Langland ; Thomas Hoccleve ; Christine de Pizan ; Eustache Deschamps ; Dante Alighieri ; Literary Criticism ; Late-Medieval English Poetry ; Late-Medieval French Poetry ; Late-Medieval Italian Poetry ; Late-Medieval Religious Writing ; Late-Medieval Church Reform ; Religious Reform ; Ecclesiastical Reform ; Regiment of Princes ; Canterbury Tales ; Piers Plowman ; Troilus and Criseyde ; Archbishop Thomas Arundel ; Archbishop Henry Chichele ; Transnational Poetry ; Chaucerian writing ; English literary tradition ; Epistle of Cupid ; The Series ; Orthodoxy ; Heresy ; John Gower ; George Ashby ; Nicholas Brigham ; Mum and the Sothsegger ; Richard the Redeless ; Jean de Meun ; Divine Comedy ; Commedia ; Roman de la Rose ; John Lydgate
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