Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669632
Title: Modality and chromaticism in the madrigals of Don Carlo Gesualdo
Author: Knowles, Joseph Ian
ISNI:       0000 0004 5369 2637
Awarding Body: University of York
Current Institution: University of York
Date of Award: 2014
Availability of Full Text:
Access through EThOS:
Access through Institution:
Abstract:
Don Carlo Gesualdo, Prince of Venosa, (1566–1613) is celebrated for his idiosyncratic use of chromaticism. Yet, the harmony of Gesualdo's madrigals evades modal rules and his chromatic style has perplexed analysts. This thesis reappraises the modal and chromatic features in his madrigals and expands on their significance by employing pitch-class set theory analysis to enhance a more traditional modal approach. Whilst analysis of the music through modal features and pitch-class set theory may appear to use contradictory analytical methods, the two can complement each other through the recognition of certain interval patterns regarded as significant by cinquecento music theorists. Ultimately, this analytical technique provides a language with which to articulate the modal and chromatic processes occurring in his music. In order to consolidate the results of the analyses, elements of compositional process are delineated and explored in the dissection of the madrigal '"Io parto" e non più dissi.'
Supervisor: Howell, Tim ; Wainwright, Jonathan P. Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.669632  DOI: Not available
Share: