Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668102
Title: The cinematic work of Nikos Nikolaidis and female representation
Author: Fotiou, Mikela
ISNI:       0000 0004 5365 3742
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 2015
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Abstract:
This thesis examines the work of Greek postmodern filmmaker Nikos Nikolaidis with a specific focus on female representation. I examine Nikolaidis as an auteur and I trace elements throughout his oeuvre that contribute to the formation of his authorial signature. Nikolaidis’s work is autobiographical and highly political. Nikolaidis’s cinema does not abide by the traditional theories of ‘Greekness’, and his main influences are American cinema, and specifically for film noir, rock ‘n’ roll culture and his antiauthoritarian ideology. All these elements are combined together within his work through the use of pastiche. I examine Nikolaidis’s work according to Richard Dyer’s notion of pastiche. Through pastiche he expresses nostalgia for rock ‘n’ roll culture and film noir, but also he expresses his concern for the future. Nikolaidis pastiches a selection of film genres and specific films in order to appropriate the elements that interest him. His pastiche work shows that the filmmaker addresses cineliterate audiences that would ideally understand his dialogue with the different genres and films he pastiches. With regards to female representation in Nikolaidis’s films, women are given leading roles, exhibit varying degrees of agency, and are presented as stronger and more powerful than men. However, their representations remain paradoxical, complex and misogynistic. While on the one hand, women are portrayed as powerful, independent, and able to subvert patriarchy, on the other hand, they are often used as props, rendering their representation inconsistent and problematic. Nikolaidis differentiates and juxtaposes two types of women throughout his work: the powerful women versus the unimportant women. Those who do not conform to the powerful female characteristics are characterised within the second category. Since Nikolaidis was highly influenced by film noir, his female protagonists pastiche the classic film noir figure of the femme fatale.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.668102  DOI: Not available
Keywords: PN Literature (General) ; PN1993 Motion Pictures
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