Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665963
Title: Cupisnique, Tembladera, Chongoyape, Chavín? : a typology of ceramic styles from formative period northern Peru, 1800-200 BC
Author: Burtenshaw-Zumstein, Julia
ISNI:       0000 0004 5352 5273
Awarding Body: University of East Anglia
Current Institution: University of East Anglia
Date of Award: 2014
Availability of Full Text:
Access from EThOS:
Access from Institution:
Abstract:
This thesis presents a typology for Formative Period ceramic styles from the Jequetepeque and adjacent valleys. The materials in question have historically been considered as Chavín or Coastal Chavín and more recently as Cupisnique, however, these terms remain vague and ill-defined. Other stylistic labels have also been applied (notably Chongoyape and Tembladera) but a lack of definition means that the use of these terms remains contradictory. Few attempts have been made to systematically consider let alone classify the artistic diversity of Formative Period North Peruvian ceramics. The first point raised in the course of this research is that not all these ceramics should be grouped under one monolithic label. There is a huge amount of diversity that can make generalised stylistic descriptions problematic. This research addressed this issue by using a quantitative multivariate approach. Statistical tests applied to the thesis dataset (c.900 ceramics) identified statistically significant combinations in the permutations used to classify variables such as chamber-shape, 3D-sculpting, handle-shape, spout-shape and spout-rim, the application of different kinds of paint, and the use of surface-texturing techniques, amongst others. The recurring of specific and mutually exclusive combinations of traits strongly indicates distinct manufacturing processes (chaînes opératoires) that in turn point to separate cultural traditions of ceramic-making. In particular, the identification and classification of two distinct handle-spout types and their consistent co-occurrence with other formal and decorative techniques are decisive in defining distinct ceramic styles. Within the Formative Period North Peruvian ceramic complex, two ceramic classes and seven types are thereby classified, plus a number of varieties. Through comparison with archaeological data, it was possible to assign some of these to geographical and/or chronological ranges, while also revealing a complex and fluctuating situation of ceramic-making and exchanging of techniques and motifs in the past.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.665963  DOI: Not available
Share: