Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655538
Title: Mosaics of power : superstition, magic and Christian power in early Byzantine floor mosaics
Author: Osbourne, Gavin
ISNI:       0000 0004 5365 5537
Awarding Body: University of Sussex
Current Institution: University of Sussex
Date of Award: 2015
Availability of Full Text:
Access through EThOS:
Full text unavailable from EThOS. Please try the link below.
Access through Institution:
Abstract:
This thesis argues that some Early Byzantine floor mosaics had, in addition to a practical and decorative role, a supernatural function. By this I mean the images and words depicted within the mosaic were perceived as devices to attract powers from a supernatural dimension, for the benefit of those that walked over the mosaic or the building that housed it. The thesis is ultimately a discussion of the Byzantines' beliefs in the power of art and text, and how they were believed to intervene and affect everyday life. My examination is carried out with a focus on the floor mosaics produced between the fourth and seventh centuries in the Byzantine Empire. Using an iconographic methodological approach, the thesis explores how certain images and words incorporated within mosaic designs can be seen in supernatural terms. To do so, comparable material objects with clearer supernatural functions will be examined. Primary sources that indicate how certain motifs were perceived to bring about powers will also be analysed. In this thesis, I analyse the different kinds of devices that were depicted to attract supernatural powers and explore why those devices were believed to have the ability to generate powers. The thesis illustrates how power could be seen as being rooted in Christianity, magic or more unclear sources. Expanding on this discussion, I explore how a single mosaic could incorporate elements from several sources, dispelling scholarship that portrays the Early Byzantine period as predominately influenced by Christianity. The other key function of the thesis is to emphasise the fact that mosaics can be considered in terms of the conscious design process of their construction, placing them within the same category as gemstones and icons in terms of purposeful objects.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.655538  DOI: Not available
Keywords: N6250 Byzantine art ; NA3750 Mosaic. Tesselated work. Terrazzo work
Share: