Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655449
Title: Projecting peripheries : allegories of marginality in post-communist Romanian cinema
Author: Iacob, Raluca
ISNI:       0000 0004 5364 7780
Awarding Body: University of St Andrews
Current Institution: University of St Andrews
Date of Award: 2015
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Abstract:
This thesis addresses aspects of Romanian society and cinema, by analyzing post-communist films through the perspective of marginality. The central hypothesis of this study refers to the ways in which films illustrate conditions of post-communist Romanian society, as they consider representations of the periphery through the angle of allegories of marginality. Following a long tradition, especially in literary studies, where it refers to the overt insertion of symbolic meanings, allegory refers in this study to a less noticeable delivery, by using a postmodern interpretation of the concept. This translates to detecting a latent meaning in films, by interpreting them in a broader context pertaining both to the film's circumstances (production, distribution and reception), and to the broader framework of the film's content. What connects post-communist Romanian films is a concern for matters of marginality, as they focus on dissensions in society, intergenerational conflicts, youth and limited opportunities of social movement, and the use of satire as a way of handling the bleak conditions of life. Aiming to provide a realistic representation of post-communist life, new wave Romanian films focus on the mundane reality of everyday life. The films discussed in this thesis expand beyond the scope of the new wave, and present a diversity of aesthetic approaches and relating perspectives on allegory—from distinct to obscure—defined by the contextual conditions of post-communism.
Supervisor: Iordanova, Dina; Rice, Tom Sponsor: University of St Andrews
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.655449  DOI: Not available
Keywords: Romanian cinema ; Post-communism ; Allegory ; Marginality ; Intergenerational conflicts ; Migration ; Satire ; National identity ; Periphery ; Immanuel Wallerstein ; Ismail Xavier ; Dominique Nasta ; PN1993.5R6I2
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