Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634620
Title: Quotidian micro-spectacles : Ulysses and fashion
Author: Ku, P.
ISNI:       0000 0004 5351 7070
Awarding Body: University College London (University of London)
Current Institution: University College London (University of London)
Date of Award: 2014
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Abstract:
Quotidian Micro-Spectacles: Ulysses and Fashion wishes to make a contribution to Joycean studies in the research area that has been known as cultural studies. Over nearly three decades, there have been seminal works in this research area, such as Cheryl Herr’s Joyce’s Anatomy of Culture, R. Brandon Kershner’s The Culture of Joyce’s Ulysses, Garry Leonard’s Advertising and Commodity Culture in Joyce, and articles featured in James Joyce Quarterly Volume 30 (Fall 1992-Summer/Fall 1993); this thesis focuses on one specific aspect of commodity culture––that is, fashion items––in Ulysses, believing that a microscopic scrutiny at the details of these fashion items would reveal how Joyce’s innovative language and narrative in Ulysses are rooted in and interlaced with technologies that have inconspicuously yet greatly changed people’s daily life during the period of time when Joyce was writing Ulysses. Through the microscopic gaze, this thesis identifies a colonial phenomenon that is ubiquitous amongst Ulysses’s mist of language-game, that is, the omnipresence of English fashion: Stephen Dedalus’s adherence to mourning dress, Leopold Bloom’s meticulousness about dress codes, Gerty MacDowell’s obsession with dame fashion, the Circean mise-en-scène of millinery spectacles, and Molly Bloom’s desire for Edwardian lingerie. Whereas many of Joyce’s Dubliners demonstrate a non-serviam stance against the British Empire, they seem pretty much unconscious of the fact that they are hopelessly colonised by miscellaneous English commodities. Therefore, the ultimate aim of this thesis is to read Ulysses into a testimony to the modern life trapped in the global capitalism: once subaltern Dubliners become assimilated into this Anglicising spectacle, there is no way out. They cannot help but exploit themselves to be fashionable.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.634620  DOI: Not available
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