Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630955
Title: The Eurovision Song Contest : nation branding and nation building in Estonia and Ukraine
Author: Jordan, Paul Thomas
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 2011
Availability of Full Text:
Access from EThOS:
Access from Institution:
Abstract:
Studies focussing on Europeanisation and in particular on the return to Europe of postcommunist states have come to the fore in political science research since the collapse of communism in Eastern Europe. The way in which many states of the former Eastern Bloc have engaged with European geopolitical power structures such as the European Union and Council of Europe has been well-documented. Europe is a contested construct and its boundaries are still subject to redefinition. This study examines issues of Europeanisation, national identity and nation branding through the lens of popular culture. In particular the role that events such as the Eurovision Song Contest (ESC) play in illuminating the more salient issues of European identity politics has until recently been an area which has lacked scholarly attention. Although the volume of literature on the event is steadily increasing, there has to date, been no in-depth study conducted on a Former Soviet Republic. This study aims to fill this gap. This thesis comprises a case study of the role of the Eurovision Song Contest in Estonia and Ukraine. The empirical findings highlight the contested nature of the construction of national identities in the post-Soviet region and in particular, this study has drawn out some of the more salient aspects of identity politics. By exploring these issues through the prism of the Eurovision Song Contest, I argue that the event is significant in terms of nation branding and image building, particularly in the context of the return to Europe of post-communist countries. The Eurovision Song Contest is often an event which is dismissed as musically and culturally inferior. However, this study shows that different nation states attribute different meanings to the ESC and as such there is a need to go beyond the dominant (western) view of the contest in order to explore the diversity of issues that this event illuminates in wider socio-political debates in Europe today.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.630955  DOI: Not available
Keywords: H Social Sciences (General)
Share: