Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629422
Title: Making theatre elastic : a practice-led PhD on performance research with Elastic Theatre, focusing on the body of work produced between 2005 and 2011
Author: Scarso, Jacek Ludwig
ISNI:       0000 0004 5348 8214
Awarding Body: London Metropolitan University
Current Institution: London Metropolitan University
Date of Award: 2014
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Abstract:
The present discussion is based on my performance research with Elastic Theatre (originally named Vocal Motions and also known as Vocal Motions Elastic Theatre), a company that I founded and have directed since 2001. A specific focus is placed on the body of work produced between 2005 and 2011, which comprises six performance outputs: Ophelia’s Song (2005-2006), Medea Made Medea (2007), The Magdalene Mysteries (2008), Medousa (2009), The Passion of Saints Sergius and Bacchus (2009) and Baroccata/Baroque Box (2010-2011). These productions have been informed by an overriding ethos, which is presented and reflected upon in the following chapters. I refer to such ethos by using the term elasticity, which I define in the Introduction, contextualising this within the broader spectrum of contemporary tendencies in performance practices, with particular reference to the notion of 'post-dramatic theatre'. This concept of elasticity is presented in relation to three aspects of my productions: respectively, the combination of performance disciplines (Chapter 1), the dramaturgical approach (Chapter 2) and the staging choices made (Chapter 3). Across these chapters, I provide a contextual overview of the aspect treated, a discussion of my methodology in relation to this, and a reflection on my findings, referring to the concept of 'liminality'. My Conclusion draws my reflections together, emphasising the original contribution that my work has represented in the field of contemporary performance. Each of my outputs is documented in the Appendices, through written, photographic and video material. The Appendices also include a chronological overview of the productions discussed, a summary/glossary of my methodological strategies and a brief presentation of the company’s history. Additional details can be found on the website: http://www.elastictheatre.com.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.629422  DOI: Not available
Keywords: 790 Recreational & performing arts
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