Use this URL to cite or link to this record in EThOS:
Title: The hidden art of editing : theory, history and identity
Author: Greenberg, S. L.
ISNI:       0000 0004 5363 500X
Awarding Body: University College London (University of London)
Current Institution: University College London (University of London)
Date of Award: 2014
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Please try the link below.
Access from Institution:
This thesis addresses a gap in both popular and scholarly literature about the nature and practice of third-party editing, as a specific stage in the publishing process. The role’s invisibility reflects its inherently ambiguous and varied nature, a feature shared with other forms of mediation. This makes it difficult to study as a specific practice in its own right. The subject is therefore approached here from a deliberately varied range of perspectives to create a more clearly defined and fully rounded picture. A working definition and a set of foundational principles, described as a poetics of editing, are put into dialogue with other interpretive frameworks. Descriptions of editing practice are traced through time, following the act – not the actor – into new locations in the present, demonstrating the centrality of editing to contemporary debates about digital communication. The comparative exercise is carried into a set of semi-structured interviews, which provide fresh empirical evidence about what editing practitioners do and how they articulate their concerns. The results convey the potential of the editing perspective to provide a dynamic, creative understanding of failure and change, based on an acute awareness of both possibility and constraint. The research suggests further evaluation of the role based on comparative empirical discovery and analysis.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID:  DOI: Not available