Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.626314
Title: Visualising politeness and patriotism : the public sphere in English satirical prints, 1745-84
Author: Thom, D. J. E.
Awarding Body: University College London (University of London)
Current Institution: University College London (University of London)
Date of Award: 2013
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Abstract:
This thesis analyses the relationship between polite and patriotic discourses, their critical development in satirical imagery, and the place of these concepts within the Habermasian public sphere 1745-84. In exploring the polyvalent nature of ‘politeness’ and ‘patriotism’ in this period, I undermine the implicitly simple dichotomy between these strands of social discourse, by considering their function as essential components of the public sphere and public identity. Satirical prints, being simultaneously a cultural product of the public sphere and a means of critiquing the culture of that sphere, are an important source for understanding the relationship between the social public sphere and public discourse, not only in a heuristic sense, but as a result of an entrenched system of shared codes and signs, which allowed the exchange of didactic, polemical and/or humorous messages between different public media. The ability of an image to convey the subtleties and ambiguities of an idea, in a way that written text cannot, makes satirical prints in particular a useful tool for understanding the complexities of politeness and of patriotism. By approaching public discourse through the medium of satirical prints, I explore the contradiction inherent in the production of images that critique and comment upon the commercial public sphere, while acknowledged as commodities in themselves.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.626314  DOI: Not available
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