Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.622080
Title: 'To entertain the fancy' : the orchestral concert song in England, 1740-1800
Author: Foster, Stephen Charles
ISNI:       0000 0004 5360 9805
Awarding Body: Goldsmiths College (University of London)
Current Institution: Goldsmiths College (University of London)
Date of Award: 2014
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Abstract:
The orchestral concert song is a genre of solo song with instrumental accompaniment written or adapted for concert performance. In eighteenth-century England it formed a major part of the output of many composers, both native and foreign, with the London pleasure gardens being the principal venue of performance. However, this genre has not received much scholarly attention, and such literature as exists is largely concerned with the secular cantata, which was very much in a minority in terms of the overall output. Furthermore, this literature has focussed on the music itself, giving little attention to the surrounding issues that caused the genre to come into being, to grow and eventually to decline. This study therefore endeavours to build on existing scholarship by not only discussing the other parts of the repertoire – namely the strophic song, the rondo and the aria – but also by examining the social and cultural influences upon the concert song as a whole. This examination precedes the historical account, which is in three parts: the early years (1740-1762); the period in which J.C. Bach and Arne were the predominant composers (1762-82); finally the later years of the century (1782-1800), during which the genre declined. The concluding chapter assesses current knowledge of the concert song, with a view to further investigation and potential revival.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.622080  DOI: Not available
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