Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613624
Title: The evolution of Irish crime fiction
Author: Farrelly, Tanya
Awarding Body: Prifysgol Bangor University
Current Institution: Bangor University
Date of Award: 2012
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Abstract:
The following PhD consists of two parts: a thesis exploring the evolution of Irish crime fiction, and an original crime novel. Dark Room is a crime fiction novel set in contemporary Dublin-during a harsh winter. It centres around two main protagonists: J oanna Lacey, a twenty-six year old photography student, and Oliver Molloy, a fOIty-twO year old solicitor. Oliver Molloy, plagued by nightmares following the accidental killing of Mercedes, his young Spanish wife, is out walking by the canal at dawn when he discovers the body of well-known Sports journalist, Vince Amold, trapped beneath the ice. Reluctantly, he contacts the police, Joanna Lacey, who has always believed that her biIth was the result of a one-night stand, discovers the true identity of her father when a late-night visitor arrives to say that her mother's former lover has been found dead in the canal. Discovering that her life has been based on a lie, Joanna sets out to detel111ine who her father really was and why her mother felt it necessary to keep his identity a secret. At the dead man's funeral Oliver and lomma meet and both feel an immediate connection. Things become difficult, however, for Oliver when Call11en Hernandez, his wife's sultry sister, turns up demanding to know what has happened to Mercedes. The critical part of this thesis: The Evolution of Irish Crime Fiction explores the concept of geme by looking at the presence of crime fiction in Irish literary novels, tracing its evolution to the contemporary Irish crime novel which has become the best-selling genre on the Irish literary market today. It also looks at crime fiction in terms of cultural materialism, examining how the geme reflects both the political and economic ideals and realities of modern society. Chapter One is a theoretical chapter which presents the ideas of both pro and antigenre theorists in an attempt to deconstruct the notion that a text belongs to only one genre. This idea is substantiated by textual analysis in the chapters that follow. Chapter Two examines the reaction of academics towards the crime fiction genre and introduces the concept of cultural materialism. It looks at more contemporary ideas of genre theory and examines the work of two of Ireland's top literary writers, lohn Banville and Patrick McCabe, giving close readings of the authors' work in an attempt to show how each writer employs the use of various genres in their novels. Chapter Three examines why it has taken so long for crime fiction to come of age in Ireland.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.613624  DOI: Not available
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