Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605856
Title: Casablanca belongs to us : globalisation, everyday life and postcolonial subjectivity in Moroccan cinema since the 1990s
Author: Bahmad, Jamal
ISNI:       0000 0004 5359 480X
Awarding Body: University of Stirling
Current Institution: University of Stirling
Date of Award: 2014
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Abstract:
This dissertation examines the representations of Casablanca in Moroccan cinema and their articulation of postcolonial subjectivity since the 1990s. To overcome a deep economic recession and simmering social unrest in the early 1980s, Morocco embarked on a comprehensive programme of structural adjustment policies under the aegis of the International Monetary Fund. Market reforms ushered in novel forms of spatial development and social relations in Moroccan cities over the next decades. In the cultural field, a popular cinema emerged in the early 1990s and has projected the complex structures of everyday life in urban space. The New Urban Cinema (NUC) has anchored national cinema in the everyday life and affective economy of a society in transition. The country’s largest city, Casablanca, is the setting for some of NUC’s most original portrayals of the Moroccan subject under globalisation. Taking space, affect and violence as intertwined sites of film analysis, my research project closely examines the new forms of postcolonial subjectivity that have evolved in Morocco through this cinema. Twenty films are read against the backdrop of neoliberal Casablanca and the social, economic as well as political transformation of Morocco and the world under globalisation. The dissertation combines close textual analysis with a cultural studies perspective, which situates films in their historical contexts of production and reception in Morocco and beyond. Drawing on postcolonial, film and urban studies, my aim is to contribute to interdisciplinary scholarship on cinematic responses to neoliberal globalisation, and to a social history of contemporary Morocco.
Supervisor: Murphy, David Sponsor: University of Stirling
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.605856  DOI: Not available
Keywords: Moroccan Cinmea ; Postcolonial City ; Neoliberalism ; Subjectivity ; Morocco ; Casablanca ; Everyday Life ; Resistance ; Maghreb ; Arab Spring ; Urban Cinema ; Postcolonial ; Globalisation ; North Africa ; African Cinema ; Postcolonialism ; Affect ; Violence ; Youth ; Social Change ; Motion picture industry Morocco ; Motion pictures Morocco ; Motion pictures Social aspects Morocco ; Casablanca (Morocco) Social aspects ; Casablanca (Morocco) Economic aspects
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