Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604021
Title: Mimesis, memory, and borrowed materials : a portfolio of compositions
Author: Bunce, Guy
Awarding Body: Royal Holloway, University of London
Current Institution: Royal Holloway, University of London
Date of Award: 2013
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Abstract:
This thesis consists of a portfolio of nine musical compositions with accompanying recordings and commentary. The works included range from solo chamber music to large ensemble and explore the notions of mimesis, memory, and borrowed materials in musical composition. The commentary begins by providing a framework and historical context to the portfolio and in particular explores mimesis as an ├Žsthetic device across the centuries and art forms. Music for amateurs and multiple tempi are then presented as two sub facets within the main research before a detailed exploration of the various source materials ensues. The commentary examines different approaches taken to an eclectic mix of source materials including popular music, hymns and plainchant, and music from the classical canon. Questions raised by writing music with multiple tempi or for amateurs are addressed before a general conclusion examining approaches to melody, harmony, rhythm, and form, across the portfolio.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.604021  DOI: Not available
Keywords: solo chamber music ; ensemble ; mimesis ; memory ; musical composition
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