Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.592005
Title: Cinema as a sensory circuit : film production and consumption in contemporary Taiwan
Author: Mon, Ya-Feng
ISNI:       0000 0004 5347 7304
Awarding Body: Goldsmiths College (University of London)
Current Institution: Goldsmiths College (University of London)
Date of Award: 2014
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Abstract:
Using post-2000 Taiwan queer romance films as a case study, this thesis examines the relationship between the film industry and its audience. It revisits scholarly distrust of the culture industry to address how, and to what extent, the power of capitalism has privileged the industry at the expense of the audience’s freedom or personality. Ethnographically informed, the thesis deems political economy and cultural studies approaches to the research question to be unsatisfactory. Both neglect the sensory aspects of cinematic communication. Drawing inspiration from actor-network theory and the analysis of late capitalism by Michael Hardt and Antonio Negri, it approaches the film industry-audience relation as a volatile, affective (dis)connection mediated by physical entities, including media technologies. This (dis)connection reflects an era in which the film industry invests in technoscience, tie-in products, ancillary markets and media convergence in order to seduce the senses of the audience. Core arguments are pursued along two lines. The first revolves around film text and cinematic apparatus, the second around film marketing and computationalnetworked communication. Looking at productive and consumptive activities, the main chapters reconsider issues of cinematic embodiment, genre filmmaking, film value production, and the (un)productivity of the human body. They locate cinematic embodiment in object-refracted bodily citation of film content, and define genre filmmaking as body-inflected reiteration of formulaic language. Due to the specificity of the Internet medium, which extracts valuegenerative labour from communicative actions by the audience and the industry, the thesis argues that Internet film marketing is a collaborative project of film value production. The productivity of such collaboration is, however, potentially hindered since bodily agency, manifested in the capability of action, retains an ultimate quality of unpredictability.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.592005  DOI: Not available
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