Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.584472
Title: Television fan distinctions and identity : an analysis of 'quality' discourses and threats to 'ontological security'
Author: Williams, Rebecca Sian
Awarding Body: Cardiff University
Current Institution: Cardiff University
Date of Award: 2008
Availability of Full Text:
Access through EThOS:
Access through Institution:
Abstract:
This thesis contributes to the existing literature in fan and audience research, particularly within television studies. By focusing upon issues of identity, ontological security, and cultural value, this thesis proposes a conceptualisation of fandom which accounts for inherent dualisms such as the tension between community and hierarchy, and the internal importance of fandom to individuals and the impact of external social factors. Whist prior work has failed to adequately theorise such contradictions, this thesis draws on the work of sociologists Pierre Bourdieu and Anthony Giddens to propose that we view fandom as forms of 'pure relationship' which enable fans to negotiate their self-identities, gain trust and comfort, and accrue levels of fan power. These ideas are demonstrated via empirical data generated by a cross comparative multi fandom case study of three online fan communities devoted to the television programmes Big Brother UK7, Neighbours, and The West Wing. This thesis demonstrates that fans across different fandoms make distinctions regarding the 'quality' of their chosen fan objects, those who create them, and the position of fellow fans. They also rely upon the routines and repetitions of television scheduling to provide them with ontological security and a sense of trust in the fan object. This thesis also examines the results when this trust is undermined by unwelcome narrative developments or the total cessation of the fan object, which this work uniquely theorises as 'post-object fandom'. Furthermore, fan practices are enacted within the specific arena of the broadcasting field, and this thesis situates the battles over fan objects between producers and fans within the context of this field. Thus, this thesis proposes a theoretical model which considers fandom as a community and a hierarchical site of struggles over power and capital, accounts for the internal impact of an individual's fandom on their sense of self, and treats fan/object and fan/fan relationships equally.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.584472  DOI: Not available
Share: