Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583178
Title: Performance spaces in English royal palaces, 1509-1642
Author: Clifford, Catherine Rebecca
Awarding Body: University of Birmingham
Current Institution: University of Birmingham
Date of Award: 2013
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Abstract:
This thesis investigates the relationship between dramatic performance and space at English royal palaces between 1509 and 1642. I argue that palatial performance spaces, including, but not limited to, great halls, great chambers, banqueting houses, and tiltyards, created meaning in relation to one another. Underlying the history and evolution of the performance spaces I examine is the pressing notion that spaces represented different sites of meaning for spectators already accustomed to the spatial languages of palaces and great households. The venues/rooms/chambers themselves performed for inhabitants, and as court drama developed throughout this period, so did their spaces. Part one examines performance spaces in palaces understood to be the “greater” palaces of the realm and in those maintained primarily by consorts and royal children. Part two focuses primarily on how banqueting houses evolved into essential royal buildings in England. As these buildings became performance sites, court presentations of drama shifted from household-based indicators of hospitality to representations of prestige by the monarch. The final section, chapters five and six, examines how all of the architectural and dramatic frameworks discussed in the first four chapters were exemplified at Whitehall, the most important palatial venue of the period.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.583178  DOI: Not available
Keywords: DA Great Britain ; PN2000 Dramatic representation. The Theater
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