Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582306
Title: Representations of social crisis in recent Argentine cinema
Author: Oyarzabal, Santiago
Awarding Body: University of Warwick
Current Institution: University of Warwick
Date of Award: 2012
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Abstract:
This thesis engages with representations of social crisis in Argentine fictional cinema during 1998-2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. My emphasis is upon the ways in which cinema interpreted both present and long-established dialogues with national and social discourse, while re-assessing notions of national identity, culture and social class. The study contributes to a growing body of scholarship on Argentine film which has no precedent in history. In particular, works published in English over the last five years have offered fresh reflections upon a field that has remained dominated by narrative and aesthetic, rather than analytical, approaches By combining close textual analysis of films to the study of their cultural context my research argues that cinema addressed predominantly middle-class Argentine audiences with critical questions concerning the transformations they were experiencing over those years of crisis. As works of fiction, the films also offered ordinary people the possibility to identify with their own lives and values, stimulating critical reflection and emotional engagement, as well as enjoyment and laughter. The modes through which these films addressed Argentine audiences are themselves as rich and complex as their narrative representations of crisis. Amongst the most compelling achievements of recent Argentine cinema are the diversity of its modes of address, its strong themes, interesting styles and captivating narrative strategies. These films offered domestic audiences both reflective and divergent views on social reality that, without any doubt, enriched the cultural arena in which Argentineans could reflect on their past, their daily life, their values and their relationship with social minorities. In this sense cinema helped Argentine people to learn to live in democracy.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.582306  DOI: Not available
Keywords: F1201 Latin America (General) ; PN1993 Motion Pictures
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