Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.571187
Title: Social performing groups and the building of community : Odin Teatret, Gardzienice, and Song of the Goat Theatre
Author: Porubcansky, Anna
Awarding Body: Goldsmiths College (University of London)
Current Institution: Goldsmiths College (University of London)
Date of Award: 2011
Availability of Full Text:
Access from EThOS:
Access from Institution:
Abstract:
This is a dedicated study of three performing groups with a particular social understanding of performance. Odin Teatret, Gardzienice, and Song of the Goat Theatre have developed unique theatre practices that investigate art as an integrated component of everyday life. The actors’ daily lives incorporate both artistic activities such as training, research, devising, and performance, and social projects such as cultural barters, expeditions, and pedagogical programmes in a conscious attempt to engage with the wider social world. The Odin, Gardzienice, and Song of the Goat’s work therefore extends beyond theatre and into the lives, traditions, and cultural practices of diverse communities around the world. This approach to performance continues a legacy of art that has emerged specifically from Poland as a result of nationalistic and Romantic trends during the nineteenth century. In the eighteenth century, Poland’s borders were erased by the Austrian, Prussian, and Russian Empires. Dividing the country for well over a century, these partitions introduced cultural, linguistic, religious, and political suppression, creating an atmosphere of defiant cultural preservation as the Polish population struggled to assert itself against their oppressors. Artist such as Romantic poets Adam Mickiewicz and Juliusz Słowacki, neo-Romantic dramatist, poet, and painter Stanisław Wyspiański, and, in the twentieth century, directors such as Juliusz Osterwa and Jerzy Grotowski, contributed to a legacy of art that sought to examine and strengthen cultural identity, belonging, and community. Drawing on the theories of Norbert Elias, Pierre Bourdieu, Mikhail Bakhtin, Emile Durkheim, and Ferdinand Tönnies, this study proposes that the Odin, Gardzienice, and Song of the Goat can be considered not only as performing groups but as social groups. Bound together through artistic principles that both define them as unique groups and shape the way in which they interact with the world, these social performing groups represent three unique performance practices devoted to exploring the social connections that connect people in mutual respect and understanding.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.571187  DOI: Not available
Share: