Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570569
Title: Revolutionary prints as spectacle
Author: Trevien, Claire
Awarding Body: University of Warwick
Current Institution: University of Warwick
Date of Award: 2012
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Abstract:
The Revolutionary era was a period of radical political change in France which dissolved traditional boundaries of privilege. It was also a time of creative experimentation on the stage, the street, and in print. Performance and theatrical language were an integral part of the French Revolution. This interdisciplinary thesis makes a vital contribution to knowledge of the cultural production of the French Revolution by analysing the theatrical influences in its satirical prints. It argues that printmakers drew from different aspects of Revolutionary performance to create their prints, from street singers and fairground performers to unsanctioned Revolutionary events and topics favoured by the stage, including the representation of Revolutionary characters in hell. These depictions – observed for the first time under thematic banners – provide a new insight into the multiplicity of opinions, beliefs and attitudes during the French Revolution.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.570569  DOI: Not available
Keywords: DC France ; NE Print media
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