Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570013
Title: The monster within : emerging monstrosity in Old English literature
Author: Saunders, Rosalyn
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 2013
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Abstract:
This thesis examines representations of monstrosity in Old English literature. The literary studies herein examine the construction of monstrous individuals in Old English poetry, and I demonstrate that literary monstrous types converge and develop a tradition of monstrosity that informs the monsters of the Liber monstrorum and Anglo-Saxon Wonders of the East. I argue that, for Old English writers, a monster was not necessarily a deformed being located in the distant lands of the East; rather, the literary and linguistic evidence suggests that any man or woman had the potential to become a monstrous type within the conventional social order. The Old English works examined are Precepts, Maxims I and II, Vainglory, Judith, The Battle of Maldon and Beowulf because each text reveals that Old English writers utilised binary sex and gender differences to define the social roles and behaviours appropriate for the masculine and feminine. According to critical theory, gender is a performance and both men and women must therefore prove their gender identities by behaving in a certain way and fulfilling the roles deemed appropriate for their gender. In failing to conform to the expectations of their gender, a gender-monstrosity matrix works upon the social transgressors, excluding them from the social order and distorting their gender identities into a monstrously confused yet recognisable construct. In the literary works examined, the monstrous type is not only the antithesis to the idealised masculine and feminine, but is also a malevolent figure whose anti-social words and actions transgress gender expectations. I demonstrate that the danger posed by the monster is not only physical, but also psychological. The monster threatens the communal harmony of the social order because, in Old English literature, monstrosity emerges in the form of an uncontrolled riot that incites unrest and enmity in the hall, or as words and outward actions that are purposely deployed (or withheld) in order to demoralise, destroy, and even consume the masculine symbolic order in the pursuit of self-gratification.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.570013  DOI: Not available
Keywords: PR English literature
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