Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567455
Title: Avalon recovered : the Arthurian legend in British women's writing, 1775-1845
Author: Garner, Katie Louise
Awarding Body: Cardiff University
Current Institution: Cardiff University
Date of Award: 2012
Availability of Full Text:
Access from EThOS:
Full text unavailable from EThOS. Thesis embargoed until 03 Jan 2018
Access from Institution:
Abstract:
While the popularity of the Arthurian myth among twentieth-century and contemporary women writers is well known, earlier female engagements with the legend have remained largely unexplored. By recovering a number of unexamined texts, this thesis aims to offer a more comprehensive account of the rise of British women writers’ interest in the Arthurian story between 1775 and 1845. Locating women’s engagements with Arthur in Gothic verse, travel writing, topographical poetry, and literary annuals, it argues that differences in the kinds of Arthurian texts available to women writers in the period led to the formation of a distinct female tradition in Arthurian writing. Works by Letitia Elizabeth Landon and Felicia Hemans are discussed alongside those by lesser-known writers such as Anne Bannerman, Anna Jane Vardill, and Louisa Stuart Costello. The initial chapter examines how Arthurian material was bowdlerised and recast for presentation to the female reader in the Romantic period. This provides the context for a new interpretation of various images of anxiety in early Arthurian texts by women as a symptom of their limited, or often second-hand, access to medieval Arthurian works. The following two chapters explore the prevalence of Arthurian material in women’s Gothic verse and travel writing respectively. The fourth chapter investigates the evolution of women’s responses to contemporary Arthurian scholarship, from the popular and satirical through to romance editions of their own. The final chapter turns to Arthurian poems by women in literary annuals, culminating in a comparison of women writers’ treatments of the Maid of Astolat tale and Tennyson’s own. Annual Arthuriana informs and anticipates many of the trends that come to dominate the Arthurian revival in the second half of the nineteenth century, which I identify in conclusion as the moment when the imaginative power of female Arthuriana becomes fully realised.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.567455  DOI: Not available
Keywords: PR English literature
Share: