Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564068
Title: Mai 68 : l'evolution de la mémoire culturelle et des icônes à travers la photographie
Author: Richards, Ariane Sarah
Awarding Body: Durham University
Current Institution: Durham University
Date of Award: 2013
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Abstract:
This thesis investigates the evolution of the cultural memory of May 68 within French society, through a study of the effect of photography on the building and transmission of myths and icons over a period of 40 years. It begins with an examination of the role of photography in documenting the events of May 68, before moving on to consider the reproduction of these images at each ten-year anniversary of the event. A chronological study of the publication of photographs in dedicated collections and in media coverage of the movement follows this broad contextualisation and theoretical positioning, focusing in particular, although not exclusively, on the visual coverage afforded by Paris Match. This study of each ten-year anniversary and its significance permits the underlining of dominant and recurring myths linked especially to urban space and its visual representation; the masculine hegemony in visual representations of May 68, and finally the mythologisation of Daniel Cohn-Bendit. Following this, a study of the myths identified and their continued modification across the 40 years between the event and its latest anniversary is carried out, in which the creation of icons both in a photographic and human sense is interrogated. The methodological approach of this thesis derives from a range of studies on cultural memory and on the evolving role of photography in the formation of cultural memory in the twentieth century both universally and as a mode of representation that responds to the characteristics of contemporary French society. Overall, these analytical steps underline the heterogeneity of representations of May 68 and enable the formulation of conclusions regarding the importance of photography as a vector for the transmission of cultural memory not only in the French context of May 68 but in modern society at large.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.564068  DOI: Not available
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