Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561285
Title: Kashmir on screen : region, religion and secularism in Hindi cinema
Author: Gaur, Meenu
Awarding Body: School of Oriental and African Studies (University of London)
Current Institution: SOAS, University of London
Date of Award: 2010
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Abstract:
The Kashmir dispute has led to two wars (1947-1948, 1965), serious military encounters (1999,2001) between India and Pakistan, as well as a militant and nonmilitant separatist movement seeking independence for Kashmir (1989- ). While this conflict has been subjected to sustained analysis by academics and journalists, Kashmir's centrality to the public culture ofIndia, explored here through a study of Hindi cinema, has received little to no attention in the considerable literature on the area. The articulations of Kashmir in Hindi cinema - as a paradise on earth, sacred site of Hinduism, home ofIndia's spiritual and syncretistic traditions, pivotal to the idea of an eternal Indian civilization - help to reveal the attachments that guide 'Indian' claims on Kashmir. This study addresses the question of how, why and in what ways Kashmir is presented as a 'special' region in Hindi cinema. In doing so it initiates a discussion on region and religion in Hindi cinema, scholarship on which has long prioritized the 'nation'. As India's only Muslim-majority regional state, divided between India and Pakistan, Kashmir became a symbol of Indian secularism, a fact that is often reiterated in political discourse, as well as in academic research on the Kashmir dispute. Paradoxically, this symbol of Indian secularism, it is argued, is a site for religious contestations in Hindi cinema. The synonymy between Indian and Hindu in Kashmir films rests on the disavowal of a 'Muslim' Kashmir, so as to allay a Hindu majoritarian anxiety about a Muslim majority region in post-partition India. Therefore, the abstract equality of secularism, and the neutrality of 'national culture' remain merely 'ideals' in India's dominant form of public culture, namely Hindi cinema. The representations of Kashmir in Hindi cinema make explicit the regional and religious contestations over the national and the secular, providing a far more diverse account of history, culture and politics in India than is commonly acknowledged by 'official' discourses, mainstream historiography, and nation-centred (film) scholarship.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.561285  DOI: Not available
Keywords: War, conflict, Muslim
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