Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559889
Title: From theory to practice : The National Theatre of Scotland, 1999-2009
Author: Robinson, Rebecca Charlotte
Awarding Body: University of Glasgow
Current Institution: University of Glasgow
Date of Award: 2009
Availability of Full Text:
Access through EThOS:
Access through Institution:
Abstract:
The National Theatre of Scotland is a unique, non building-based, commissioning and producing cultural institution, established in the wake of the devolution of the Scottish Parliament. This thesis explores how the NTS responded to its ‘national’ remit within the context of both post devolution Scotland and an increasingly globalized world in which the significance and boundaries of the ‘nation’ are often ambiguous and contested. The public sphere in the United Kingdom has always held a tension between the interweaving national identities of its four constituent nations. However, the constitutional changes since 1999, have allowed the possibility for a more distinctive public sphere to be defined in Scotland. This thesis examines how the NTS, over a relatively short period of time, has played a role in helping to mark out and define the nature of this new national public sphere and argues that the company was particularly well placed to accommodate and reflect heterogeneous imagining’s of identity and respond to contemporary expressions of belonging. However, the thesis also charts changes to the company during these early years and, most significantly, notes the potential effect that the change from arms length to direct government funding might have on the company’s long-term development. The thesis argues that direct funding aligns the arts too closely to political agendas rather than supporting artistic freedom and expression. As such, rather than helping to mark out a democratically representative and critical public sphere in Scotland, the NTS is in danger of becoming entangled by competing conceptions and perceptions of nationhood in Scotland.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.559889  DOI: Not available
Keywords: PN2000 Dramatic representation. The Theater
Share: