Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556500
Title: Graphic glass : development of creative approaches to expressions of ethnicity
Author: Sarmiento, Jeffrey R.
Awarding Body: University of Sunderland
Current Institution: University of Sunderland
Date of Award: 2011
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Abstract:
This study frames and records creative and technical processes behind a body of original glass artworks inspired by ethnic contexts. Foregrounded by my practice as a glass artist and post-colonial experiences as a Filipino-American, the content of the work is rooted in expressions of hybrid ethnicity. Encounters with foreign cultures stimulate the creative process in my work, an approach that is inspired by contemporary art in its various appropriations of ethnographic methods. This is also an important and emerging discourse within the field of glass art. The graphic image in glass offers potentials for using unique qualities of the material to express this content in artworks. This research aims to identify, develop and demonstrate how the graphic image in glass might be used to express aspects of ethnicity. The methodology consists of subject finding through personal experiences, interpretation of cultural contexts, and their visualisation through developing techniques to fabricate artworks in glass. Three case studies address specific cultural sites as the source of inspiration for glass artworks. A field study in the Baltic States observed Soviet-era architecture and interpreted its social impact. A study of ethnographic artefacts in Sunderland Museum revealed local connections to historical and contemporary Northeast England. The development of a layered plan explores one way of making a commissioned cultural map of Liverpool. My contribution to knowledge is the interpretation of a multiplicity of perspectives in ethnic contexts, a working method utilising graphic images, layered and encapsulated in unique glass sculptures that convey complex narratives. These are created through a novel combination of screenprinting, waterjet cutting, kilnforming and glass grinding techniques. As a model of practice for meaningful making, this research adds to conceptual discourse and technical innovation in the field of glass art.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.556500  DOI: Not available
Keywords: Glass
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