Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553585
Title: An investigation into the Japanese notion of 'Ma' : practising sculpture within space-time dialogues
Author: Goda, Sachiyo
Awarding Body: Northumbria University
Current Institution: Northumbria University
Date of Award: 2011
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Abstract:
The ancient Japanese space-time idea of ma has many aspects, not only in philosophical and artistic pursuits, but also in everyday life. Ma is difficult to pin down because it is an entirely relational concept and the word is only intelligible within our most subjective responses to temporal and spatial discontinuities: its key characteristic being a unity of experience across two fields of aesthetic encounter usually kept apart in the West. These subtle shifts of meaning and attribution within a single spatio-temporal domain have made ma difficult to adapt for Western purposes. Whereas the cultural critic Mark C. Taylor (1997) recognizes ma as the art of ‘spacing-timing’, the art historian James Elkins (2003) confines ma to our appreciation of negative spaces in the visual arts. Both fail to note the broader field of references used by the Japanese and my doctoral project was initiated as a response to the rich spatio-temporal ambiguity of the term and the subtle forms of dialogic awareness it can introduce into the everyday routines of a creative practitioner who is, like myself, from Japan. Because ma operates at so many levels, throughout this thesis I relate my discussion to historical and contemporary artists, performers, writers, film-makers, architects, gardeners, psychologists, philosophers and theologians.
Supervisor: Dorsett, Chris Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.553585  DOI: Not available
Keywords: W100 Fine Art
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