Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546492
Title: The myth of 9/11
Author: Formby, Zoë
Awarding Body: University of Nottingham
Current Institution: University of Nottingham
Date of Award: 2011
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Abstract:
Conceptualisations of modern literary history are premised upon a series of dynastic successions, whereby one is able to trace, albeit simplistically, the evolution of the novel through its realist, modernist and postmodernist manifestations. Considered in this linear manner, the emergence of altered cultural movements is ordinarily attributed to a crisis within the former mood; as society ruptures and alters, existing modes of representation prove inadequate to reflect, or else engage with, the emergent structure of feeling. As an event with far-reaching implications, many critics and cultural commentators have attributed the terrorist attacks of September 11, 2001 with the inception of an altered global mood. Moreover, in the days and weeks following 9/11, the publication of a number of articles penned by authors emphasised the extent to which the event had precipitated a profound crisis in representation. As an ever greater number of articles and studies emerged proclaiming the final death knell of postmodernism and the emergence of a more anxious global mood, so the myth of 9/11 quickly developed. The thesis rests upon a very simple question: to what extent has 9/11 precipitated a change in the novel? Through examining a wide range of fictions published largely within Britain in the last fifteen years, the study explores and ultimately dispels the assumptions of the myth. Rather than examining the fictional representation of 9/11, the study’s focus is on assessing the significance of the novel after the event, and moreover on interrogating the manner in which the terrorist attacks might have engendered a shift in the contemporary mood that is reflected in the subsequent novels published. Through emphasising the novelistic concerns and themes that transcend the assumed cultural rift, the thesis proposes that the ‘post-9/11 mood’ might more usefully be interpreted as an exacerbation of an already existing structure of feeling that responds to the banal superficiality of the postmodern condition.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.546492  DOI: Not available
Keywords: PN 441 Literary history ; PR English literature
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