Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542184
Title: Representations of Iran in British documentary, 1920s-2006
Author: Ganjaei, Sara
Awarding Body: University of East Anglia
Current Institution: University of East Anglia
Date of Award: 2010
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Abstract:
The research examines the representations of Iran in British documentaries made between 1920s and 2006. It aims to: a)investigate in British documentary the represented position of Iran in the world and in comparison to Britain, as well as how the positioning has evolved along historical change inside Iran, in the outside world, and in Iran’s relation with the outside world and Britain; b) reveal how, as mediated text, documentary film acts as part of the broader representational regimes in a social context in which these positionings are produced through contemporary social and political discourses. The research looks for the underpinnings of the documentary representations of Iran in the master-narrative of ‘Modernity’ and its relevant sub-narratives (industrialisation, modernisation, and democracy), as well as the narratives of Modernity’s Other (Orientalism and Islamicfundamentalism). It is shown that the films made about Iran before the Iranian revolution of 1979 are marked by the themes of industrialization and modernization with a focus on the activities of the British oil industry in Iran and/or the efforts of the Pahlavi dynasty to modernize Iran. After the 1979 revolution however, the focus of films shifts from Iran’s socio-economic issues to its political ones. Iran and its relations with the outside world are seen increasingly through the prism of the discourses of democracy and Islamic-fundamentalism in the films of this ear. British media coverage of Iran provides a case study opportunity to examine the evolution over a relatively long period of time of continuous and changing coverage of one country by another. Through studies such as this thesis, focusing on the use of film as a tool in international sociopolitical representation, the transition from 20th to 21st Century becomes in itself an era for critical interpretation across the social sciences. Through situating the interrelation between the media and international power struggles in a historical perspective, this kind of research can therefore be a valuable source in investigating the power-related functions of the media itself.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.542184  DOI: Not available
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