Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514714
Title: The representation of the indigenous peoples of Mexico in Diego Rivera's National Palace mural, 1929-1935
Author: Picot, Natasha Mathilde
ISNI:       0000 0001 3490 169X
Awarding Body: University of Nottingham
Current Institution: University of Nottingham
Date of Award: 2007
Availability of Full Text:
Access through EThOS:
Access through Institution:
Abstract:
This thesis is a multidisciplinary project, drawing on the discourses of Visual Cultural Studies, Latin American history and Critical Theory. Insights from each of these disciplines interact to investigate the representation of the indigenous peoples of Mexico in the mural triptych entitled History of the Mexican People painted by Diego Rivera in the National Palace, Mexico City between 1929 and 1935. The main focus is an exploration of the mural as a cultural text, which is formed through socio-political structures and homogenising nationalist visions. The artist is seen as partly a product of history who acts, both consciously and subconsciously, as a conduit for such historical structures. The investigation requires a multi-dimensional approach as it includes emotional, aesthetic, sociological, political, cultural, philosophical, biographical and material elements. A close-reading of the National Palace mural as a cultural 'text' is undertaken in order to deconstruct certain culturally-specific political myths. The production of the fresco triptych is inextricably interlinked with the construction of the post-revolutionary Mexican nation and socio-cultural mythologies regarding the 'Indian' which are central to nationalist imagery and the post-revolutionary, anthropological theories of indigenismo. Certain distinctive racial strands of nationalist mythology which are represented in the mural are analysed within the framework of Anthony D. Smith's (1999) theory of historical ethno-mythology. I argue, following Smith, that what gives nationalism its power are the myths, memories, traditions and symbols of ethnic heritages and the ways in which a popular living past has been, can be and is rediscovered and reinterpreted by modern, nationalist intelligentsias. Smith's universal theory has not previously been applied in depth to a complex concrete situation. This thesis relates the insights of the theory of nationalist ethno-mythology to the tangible cultural text of History of the Mexican People.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.514714  DOI: Not available
Keywords: ND Painting
Share: