Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490861
Title: Perceiving the art museum : investigating visitation and non-visitation in Cyprus and abroad
Author: Stylianou-Lambert, Theopisti
Awarding Body: University of Leicester
Current Institution: University of Leicester
Date of Award: 2007
Availability of Full Text:
Access from EThOS:
Access from Institution:
Abstract:
The purpose of this research is to understand people’s perceptions regarding art museums and galleries and the way these perceptions influence their visitation decisions. This study explores the factors influencing museum perceptions, the way perceptions are formed, and their function in the contemporary environment of Nicosia, the capital of Cyprus. With the help of in-depth, semi-structured interviews, and by merging sociological and psychological approaches which appear in the existing literature, a conceptual model was created. According to this conceptual model, socio-cultural, individual, and environmental factors shape our spectacles of perception and therefore the way we make sense of the world around us. I explore the significance of power relations (engaging with Pierre Bourdieu’s theory of cultural capital) and the way in which individuals construct and maintain selfidentity through the drawing of symbolic boundaries. One of the main outcomes of this study is the identification of different filters, named museum perceptual filters, which “colour” our spectacles of perception and force us to view and use art museums in different ways. The 8 museum perceptual filters identified in this study are the following: (a) professional, (b) art-loving, (c) self-exploration, (d) cultural tourism, (e) social visitation, (f) romantic, (g) rejection, and (h) indifference filter.
Supervisor: Sandell, Richard Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.490861  DOI: Not available
Share: