Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.479068
Title: 'The ceasing from the sorrow of divided life' : May Sinclair's women, texts and contexts (1910-1923)
Author: Martindale, Philippa
Awarding Body: Durham University
Current Institution: Durham University
Date of Award: 2003
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Abstract:
This thesis explores May Sinclair's female protagonists in her Modernist texts, 1910-1923. 1 look at how Sinclair's work bears witness to her scene of writing and offer an analysis that places Sinclair, most centrally, in a dialogue with contemporary literary, psychoanalytical, and cultural influences.1 draw upon a wealth of unpublished material, medical archives and journals, newspapers, propaganda, novels of fellow female writers, and other artefacts of the day. By appraising these works together, the critical distinction between Modernism and the topical issues of early twentieth century Britain is seen to dissolve, and Sinclair’s writing emerges as an important oeuvre for reading the life of the modem woman. Women’s fiction of the period typically searches for autonomy and agency. However, as 1 show, the desire for radical social change is problematic and often in conflict with the prescribed code of an idealised, fixed female identity. Through an exploration and development of her own concept of sublimation, Sinclair confronts these complex ideological structures in her engagement with the position of women in her fiction. She places her women in a variety of situations—from the tightly knit, domestic home to the unfettered, open terrain of wild landscapes—and analyses the forces that hold women back or set them free. In my study of Sinclair's Modernist texts, 1 argue that Sinclair urges for psychic freedom for women from their cramped, repressive conditions; this is achieved through sublimation.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.479068  DOI: Not available
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