Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.468341
Title: Formal principles in the music of Brahms
Author: Pascall, Robert
ISNI:       0000 0001 2463 1331
Awarding Body: University of Oxford
Current Institution: University of Oxford
Date of Award: 1973
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Abstract:
Part 1 of the succeeding work deals with aspects of form which are neither binary nor ternary In basis, and concerns Itself with the addition of sections of music which are either disparate or basically alike. Multi-movement works in instrumental music have certain conventions with regard to the number of movements and with regard to the sequences in these movements of speeds, tonalities and forms. Pressures for unity within such basically discrete works may manifest themselves by thematic quotation, thematic metamorphosis or motific similarities between movements. Slow introductions are necessarily harmonically wayward and are mostly thematically connected with the subsequent part of the movement.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.468341  DOI: Not available
Keywords: Criticism and interpretation ; Musical form
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