Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434578
Title: Composing electroacoustic music relating to traditional Japanese music
Author: Ishii, Hiromi
Awarding Body: City University London
Current Institution: City, University of London
Date of Award: 2006
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Abstract:
Throughout the history of Japanese contemporary music composers have been exploring ways to merge Western-style art music and their original, traditional Japanese music. Although in the past compositions which applied expressions of traditional Japanese music to Western-style music were partly successful, ensembles of Western and Japanese instruments often resulted in a serious mismatch. The starting point of this paper is this experience of Japanese contemporary music. It insists that, while the cause is composers' ignorance of the difference in musical parameters between the two musics, those of electroacoustic music can be compatible with Japanese musical tradition in spite of its background in Western culture, because the most developed genre of Japanese music is timbre-dominant. This research examines, from the viewpoint of electroacoustic composition, the musical parameters, acoustical structure and sound aesthetics of traditional Japanese music, and explores the compositional strategy of live electronics for these non-Western instruments, applying them to acousmatic composition.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.434578  DOI: Not available
Keywords: M Music
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