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Title: Shifting eyes : self-representation in words and images, re-reading Freud through the semiotics of C.S. Peirce, with particular reference to the work of poet H.D. and artist Claude Cahun.
Author: Morris, Sharon Mary.
Awarding Body: University College London (University of London)
Current Institution: University College London (University of London)
Date of Award: 2000
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Abstract:
Shifting Eyes, presents a re-reading of Freud's structural theories of the self, through the semiotics of C.S. Peirce. In place of the self split between unconscious representations and the syntax of speech, Peirce's general sign theory provides an evolutionary account of symbol development within a trichotomy of sign-object relations, icon, index and symbol, as opposed to interpretations of Freud using the linguistic sign which reify the split subject and assimilate unconscious processes to the tropes of language. Peirce's sign-interpretant relation, is used to re-describe Freud's account of the shift from narcissism to object relations, from the primary iconic dyad to the subject constructed through the symbol of sexual difference. One class of icons, the hypoicon, is evaluated as a representation of the subject, since the hypoicon, unlike the symbol, does not uphold contradiction. Metaphor, as hypoiconic Third, is compared with Freud's account of the structure of identification, both in terms of ego development and dream formation. The second part of the thesis uses these concepts to interpret the work of author HD. and artist-writer Claude Cahun. H.D. 's uvre - poetry, novels, memoirs and autobiography - lay bare the structure of the subject through the semiotics of the text, in particular transference and the act of naming. The poetry demonstrates the boundary between ego and world, myth and ideals of the ego, as the semiotics of identification. Cahun's photographic self-portraits raise questions of the relation between body-image and narcissism, ideals and the subject of sexual difference. The last chapter concentrates on Aveux non avenus, (1930a) a work which integrates text and image using the principles of collage, juxtaposing photomontages with fragments of dream, fantasy, polemic and fiction as an extension of self-representation. In conclusion, the signifying self, as hypoiconic Third, is related to the body, re-posing the question of desire. Shifting
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.341924  DOI: Not available
Keywords: Psycholinguistics Psychology Literature Mass media Performing arts Art
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