Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299020
Title: A critical analysis of actions taken upon historic musical instruments through the period of the early music revival from the beginning of the 20th century to the 1990s
Author: Barclay, Robert Leslie
Awarding Body: Open University
Current Institution: Open University
Date of Award: 1999
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Abstract:
This work is a critical analysis of craft internvention upon historic musical instruments. It is centred upon the tension between use and preservation that arose with the conflicting demands of the early music revival for working musical instruments,and of the conservation discipline for the preservation of these artefacts as documents of contemporary instrument-making and musical practices. A framework is developed around three regimens of function, termed Currency, Restitution and Preservation, within which the actions and rationales of craft activity on musical instruments may be characterized. Case studies of nine historic instruments are presented in order to demonstrate the derivation of both the technical and social factors that contributed to their changes in state and status during the period under study. Analysis of the actions taken upon the instruments in their historical and social contexts provides a novel understanding of the relationship between the desire for musical experience, and the need for historical and technical information. The work concludes with a discussion of a strategy for encouraging a balance between musical function and preservation, thus mediating between the conflicting demands.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.299020  DOI: Not available
Keywords: Restoration; Preservation; Craft intervention Literature Mass media Performing arts History Art
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