Use this URL to cite or link to this record in EThOS: http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282774
Title: War images and image makers in the Victorian era : aspects of British visual and written portrayal of war and defence c.1866-1906
Author: Stearn, Roger Thomas
Awarding Body: University of London
Current Institution: King's College London (University of London)
Date of Award: 1987
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Abstract:
The thesis considers aspects of British perceptions, images and attitudes towards war and defence, and certain key persons who presented them to the public, approximately from 1866 to 1906. It is concerned primarily with leading civilian artists and writers on war and defence, and with the message and images presented by the press, books and pictures, on land warfare more than naval warfare. It considers first the visual images of war in the press and painting, and the press special war artists and the studio battle-painters. It then considers war correspondents and the work and message of two leading correspondents, Archibald Forbes and George Warrington Steevens. It then considers aspects of the warportrayal and message of the fiction of future war. Conclusions drawn include the essential unity of the presented image of war and defence, such that the varied media and communicators mutually reinforced their message. The image was shaped by predetermined selectivity by an ideological cluster of patriotism, imperialism, social darwinism, bellicism and martial values. These so dominated perceptions that the presentations of those with and without battle experience hardly differed. The presentations were purposive and inspirational, warning and urging material and moral preparation. War was presented positively, as heroism and adventure, its horrors minimised and contained. Military and civilians interacted in this presentation, and the communicators were also influenced by factors including continental influences, party politics, journalistic imperatives, artistic and literary convention, and individual careerism. Though pacifists and others dissented from it, the influence of this dominant image of war and defence was pervasive, shaping the assumptions of the pre-1914 nation.
Supervisor: Not available Sponsor: Not available
Qualification Name: Thesis (Ph.D.) Qualification Level: Doctoral
EThOS ID: uk.bl.ethos.282774  DOI: Not available
Keywords: History History Literature Mass media Performing arts
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